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 Croatian Conservation Institute Apoxyomenos scanFig. 1: Statue of Apoxyomenos lying 40m beneath the surface of the Adriatic Sea

Croatian Conservation Institute

Digitizing of the ancient bronze sculpture of Apoxyomenos

Capture 3D ScannersTRITOP photogrammetry

Apoxyomenos, an ancient bronze statue of an athlete scraping off oil and dust from his body after a competition, was found in 1999 in the sea close to Lošinj, a Croatian island (Fig. 1). Investigations suggest that it might be an original Greek statue dated back to the 4th century BC, or a Roman copy of this statue. Since only a few original Greek bronze statues remained, Apoxyomenos is an extraordinary example of the world cultural heritage, therefore restoration and determination of its origin is of great importance. Despite structural damages, erosion and fused sediments caused by centuries of underwater stay, specialists in the Croatian Conservation Institute in Zagreb already succeeded in bringing the shine of the statue to light.

In January 2002, the company "Topomatika" d.o.o., from Zagreb conducted full 3D-digitizing and measurements of the statue in the Croatian Conservatory Institute. The sculpture of Apoxyomenos is full of very fine and realistic details which cannot be captured by measuring its length, width, height, diameter, angle, etc. The beauty of the shape and the richness of details can be recorded by photo documentation and sketches but the result is only a two-dimensional outline of the sculpture, failing to give enough information about its shape and measures. Only digitization provides for an accurate recording of the sculpture's shape by gathering accurate and dense measuring points on its surface. This task was successfully carried out using the ATOS and TRITOP systems from GOM.

The statue of Apoxyomenos was digitized in individual measurements using the ATOS II system, with a typical measuring area of 350 x 280 millimeters. During each of these measurements, multiple fringe patterns were projected on the object and the resulting images of the object area were recorded by two high resolution cameras. The data gathering for one area typically takes a few seconds and typically leads to millions of data points, defining the shape of the measured area very accurately. Then, the individual measurements were registered in a global coordinate system based on reference points (markers), applied on the fixtures and a few on flat areas on the object. The exact position in space (3D coordinates) of these reference points was determined before scanning using the photogrammetric system TRITOP (Fig. 2). 

art-croatian-conservation-institute-apoxyomenos-3Fig. 2: Reference points and camera positions used to define the reference points' exact position with TRITOP art-croatian-conservation-institute-apoxyomenos-4Fig. 3: Three-dimensional digitizing of the statue of Apoxyomenos with the ATOS II systemSince the complete restoration of the statue of Apoxyomenos is still in process, scanning had to be made in the actual position of the sculpture. First, the front side was scanned (Fig 3), then the sculpture was turned upside-down in its holder for scanning the backside. As the head of the statue is separated from the body, it was scanned separately (Fig. 4). The results of all three scanning sessions were combined in a global coordinate system using common reference points, giving the complete shape of the sculpture. 

The bronze surface of the sculpture was very dark and reflective. For standard engineering work the objects and tools can usually be treated (sprayed or painted) to show a uniform dull surface, ideal for optical scanning. Here a surface treatment was not acceptable. The ATOS II system can be set to gather data with different exposure times in one measurement to capture data on dark and bright areas. For glossy areas, the shape data can be calculated based on the images from one camera only.  art-croatian-conservation-institute-apoxyomenos-5Fig. 4: Digitizing of the Apoxyomenos head with ATOS II - the projected fringe pattern and the reference markers are visible


 Using these parameter settings, the statue could be successfully scanned with ATOS II, capturing very accurate and dense data, thus proving its great potential for scanning of shiny and dark surfaces. To digitize the complete statue 114 scans for the body and 57 scans for the head were needed, some of these scans were needed only for small areas, to define the complete shape of detailed parts such as hair or fingers. 

art-croatian-conservation-institute-apoxyomenos-6Fig. 5: Scanned data of the head art-croatian-conservation-institute-apoxyomenos-7Fig. 6: Scanned data of ApoxyomenosThe result of the complete digitization is a file with more than ten million data points connected to a polygonal mesh (STL data) as shown in Fig. 5-7.

Due to the high resolution scanner (typically 13 measuring points per square millimeter), all details of the sculpture including damages are visible.

Based on the digitized data, parallel sections can be easily computed as shown in Fig. 8.

After the complete restoration was finished in 2004, the statue was digitized again in order to document the restoration work and to create a digital copy of the current shape.

Figure 9 shows the current digitized data of the entire statue and figure 10 shows the head. art-croatian-conservation-institute-apoxyomenos-9Fig. 8: Complete scanned data of Apoxyomenos (parallel sections)art-croatian-conservation-institute-apoxyomenos-8Fig. 7: Complete scanned data of Apoxyomenos (polygonal mesh)

Based on the largely smoothed and thinned STL mesh data, mathematical surface data were generated by reverse engineering (fig. 11). These CAD data describe geometrical elements and slightly curved areas in a compact data format. However, CAD data cannot optimally describe complex details like the shape of the hair or irregularities on the surface.

art-croatian-conservation-institute-apoxyomenos-10Fig. 9: Current digitized data of the entire statue art-croatian-conservation-institute-apoxyomenos-11Fig. 10: Current digitized data of the head art-croatian-conservation-institute-apoxyomenos-12Fig. 11: Front view of the statue's CAD dataart-croatian-conservation-institute-apoxyomenos-13Fig. 12: Rear view of the statue's CAD dataThree-dimensional digitizing in this quality is a digital copy of the real part in the actual moment. It enables to document the restoration process, enables shape analyses, computer presentations and monitoring the shape of the statue during time. But also highly accurate copies of the statue or optimal holders for its transportation can be produced based on these data. This highly accurate computer model rich in detail was obtained by non-contact measurement and without any treatment of the bronze surface of Apoxyomenos, so, at no time during the scanning process the sculpture's safety was endangered.

The measuring systems ATOS II and TRITOP once again proved as a valuable asset in three-dimensional digitizing of complex and delicate parts.

We would like to thank the Croatian Conservation Institute for their trust in Topomatika d.o.o and the GOM system and the permission to show this report to the public.